Leopold Bloom.

     In 1911 Henri Bergson in Creative Evolution  created a 
sensation by associating the thought process with the form of 
the movie. Just at the extreme point of mechanization 
represented by the factory, the film, and the press, men 
seemed by the stream of consciousness, or interior film, to 
obtain release into a world of spontaneity, of dreams, and of 
unique personal experience. Dickens perhaps began it all with 
his Mr. Jingle in Pickwick Papers . Certainly in David Copperfield  
he made a great technical discovery, since for the first time the 
world unfolds realistically through the use of the eyes of a 
growing child as camera. Here was the stream of 
consciousness, perhaps, in its original form before it was 
adopted by Proust and Joyce and Eliot. It indicates how the 
enrichment of human experience can occur unexpectedly with